Tag Archives: live theater

Life List #58 – Part II

If you check out my life list, you’ll see it’s a work (life) in-progress. #58, See every show/lab in an entire season at the Vineyard Theatre, is ongoing. This is the second post in the series on #58. You can find the first post here. On this trip, life and fate pulled out all the stops. Witness below, Vineyard karma.

This month at the Vineyard, I check out Zach Helm’s production of “Interviewing The Audience.” It’s exactly what it sounds like. Zach comes out in the beginning of the production and introduces himself, explaining we will hear the stories of three audience members, who he will pick to come on stage, one at a time, and talk to him for 20 minutes. The show was originally created by Spalding Gray.

Zach Helm wrote about seeing “Interviewing The Audience” for the first time and why he wanted to revive it:

I saw him [Spalding Gray] do it as a freshly graduated theatre student at the Steppenwolf Theatre in 1997. Of note that evening, Mr. Gray interviewed a young girl from the South Side who had never been to the theater before, and who had only attended that evening because her school was working on a project that required the students to “go see theater or dance” and his show was the only one the girl’s mother could get tickets to see. The interview played out as a mix of Art Linklater and WAITING FOR GADOT, and when it concluded, Mr. Gray noted that the girl had not only fulfilled the requirement of seeing theater, but had become theater. The girl responded incredulously: “That’s weird. I could’ve been anybody.”

Three of my close theatre/college friends joined me for “Interviewing,” so the night was already meaningful, but I had no idea it was about to go to a whole new level.

Zach came out on stage, introduced himself and began to scan the audience. Then, he started walking up towards our section. I suddenly felt it in the pit of my stomach, he’s going to ask me. Sure enough, we locked eyes and he invited me up on stage.

After I got miked and settled, he asked me the first question he asks of everyone: “What brought you to the theatre tonight?” I answered, Spalding Gray. I told Zach I had a few brief conversations with Spalding, but I never really knew who he was until after he died. He asked me if I would have done or said anything different if I knew who Spalding was during those phone conversations. Only one thing came to mind: I wish I had listened harder.

The next questions he asked was if I was ambitious. I answered “yes” and, apparently, smiled, which lead to talking about what ambition means and how I’m ambitious. I explained my feeling about ambition was that it only felt true and real if accompanied by passion. It’s important to have both.

From there, the questions turned more into a conversation between myself and Zach, punctuated by occasional laughter from the audience. I sometimes forgot they were there until they laughed. We talked about how my sister and I shared a 500 sq foot studio apt, then how we moved to another building where we lived directly above/below each other. Then, we talked about everything from how I was raised macrobiotic to my history with the Vineyard Theatre; and how important it is to always know every job you can within your industry — knowing who does what and  learning as much as possible for the next step, because you never know what/when it’s going to happen.

At the end of our 20 minutes, as I left the stage, Zach told a fable about knowing when a person is a leader because they know all the jobs involved from the bottom up. He gestured toward me when he said “a leader.”

When returned to my seat in the audience, every feeling hit me at once. I was buzzing with energy, but also very overwhelmed. I had just been sitting on a stage in a theater where, 15 years (nearly to the day) earlier I had made the decision to pursue a career in the arts. And, here I was, on that stage, talking about how I fulfilled that goal and continue to reach for a higher bar every day. I had good friends sitting beside me, who were excited and proud of me, hugging me as I made my way back to my seat. I had come full circle. My eyes welled with the tears of every emotion I felt at that moment, but the crazy karma of the evening wasn’t quite over yet.

The second person Zach picked was sitting in the same row as me, opposite end of the aisle. He had come to with a friend. His friend was none other than my editor at TDF. We had no idea we were seeing the show on the same night. The third person picked (I later learned) was a business partner of a friend of mine.

At the close of the show, Zach invites the audience to stay after and talk to each other because, we all experienced a show that will never ever happen again. This is the nature of live theater. We are all people with stories to tell; with stories worth sharing. We are all living art.

When I asked Zach how he had picked us. He told us the following: “I get handed a slip of paper on which an arbitrary letter of the alphabet is written. I use that as a sort of mnemonic. Tonight’s letter was ‘S.’ I looked out on stage and the first word I thought was “smile.” That’s when I saw was you, Ashley, you were the only one sitting there, smiling.”

After each show, Zach does a post-show “Top Three Moments” video. I’ve been watching them faithfully, but it was extra entertaining to see mine. Out of all the things we talked about, I had a feeling he was going to pick this particular moment.

“Interviewing The Audience” has a home at the Vineyard Theatre through February 27th. You have four days. Run!


Brief Encounter: Huge Cloudy Symbols of a High Romance

“I want to remember every minute, always, always to the end of my days.”

There are very few productions I’ve seen that make me gasp out loud or sit, wide-eyed in childlike wonderment. BRIEF ENCOUNTER is one of these plays. It engages the heart and mind. It’s a vintage love letter and a Vaudevillian magic trick all rolled into one. It’s a step back in time.

BRIEF ENCOUNTER comes to Broadway* with a British pedigree, thanks to director Emma Rice and the Kneehigh Theatre Company of Cornwall, England, who conceived and created the production. The show is an adaptation of the film (of the same name, directed by David Lean) and based on Noel Coward’s short one-act play, “Still Life.” To recap: Noel Cowards short play begets Noel Coward’s movie begets full-length stage production … with music by Noel Coward.

Fun side note: BRIEF ENCOUNTER (the film) was also the inspiration for Billy Wilder’s movie, THE APARTMENT, which became the musical PROMISES, PROMISES, currently in revival on Broadway.

The most endearing quality about this production is its utter uniqueness. You won’t see anything else like this on Broadway. It’s vibrant, beautiful, and smart. There are amazing low-but-feel-high-tech special effects that lend a Michel Gondry/Spike Jonze/Jean-Pierre Jeunet quality to the production, which give it a whimsical, yet cinematic feel. The production’s cast perform duties as special effects artists and musicians, in addition to their parts in the production. No one really has a supporting role in BRIEF ENCOUNTER as each actor is so completely entrenched in their role, and their attention to detail is such that, you feel equally invested in every character’s story. Get swept away in the romance, the fun, and the wonderment. You will not be disappointed in this theatrical love letter.

Stick around after the show because the company continues to charm you with their musical talents and good humor by performing songs (like “Don’t Stop Believing”) in the back of the theatre and dancing with the audience. It’s a convivial setting and an extra treat for the audience.

Make sure to check out Kneehigh Theatre’s website to get a jump on future productions (ed. I’m particularly excited about THE UMBRELLAS OF CHERBOURG and hope it comes to the U.S.)

And, if you are in New York, their next production, an adaptation of THE RED SHOES, will be at St. Ann’s Warehouse this winter. Do. not. miss. it.

*Full disclosure: I originally saw BRIEF ENCOUNTER last winter, when the company brought their stateside tour to St. Ann’s Warehouse in Brooklyn.