Tag Archives: noel coward

Monday’s Watch, Listen, Read

Watch/Listen

Let’s talk for a moment about Seth Rudetsky. Seth is like that musical theater guy you knew in high school. and college. and post-college. But there’s more to Seth than just his (INSANE amount of) musical theater knowledge. There’s his (INSANE amount of) music knowledge, too. If there’s one thing I miss about all the vocal coaching and music classes I was entrenched in growing up, it’s the people like Seth who made me excited to understand technique and sing correctly. Because, when you get it for the first time — when your mind and body finally connects and creates that beautiful sound the way it was meant to be heard — it’s an exciting moment. Seth’s fancy deconstruction videos allow me to relive everything I learned and look at it from a fresh (and pressure-free) perspective. Even though I don’t sing apart from Karaoke nights anymore, watching his videos remind me of those connections. The elation, the enthusiasm, and the sheer joy. Simply¬†A-MAH-zing.

I chose this particular video for Monday’s Watch/Listen pick because it features one of my favorite performers/people, Christine Ebersole, and it’s a deconstruction of one of my favorite musicals (and documentary!), Grey Gardens.

P.S. Christine has a new CD out, Christine Ebersole sings Noel Coward. It’s a gorgeous pairing of two extraordinarily talented human beings.

 

Read

Maira Kalman’s work is my hot cocoa. It’s sweet, strong, rich, reminds me of childhood, warms my body & soul, and keeps my imagination stimulated, like the perfect combination of caffeine and sugar.

Maira’s latest work, And the Pursuit of Happiness, is based on her blog for the New York Times, where she spent a year traveling the United States chronicling (through paintings, sketches, photography, writing, and some embroidery) what democracy means to people in government, in history, and with ordinary citizens, in their in daily lives. It’s a beautiful and inspiring look ¬†at humanity and how we individuals choose to pursue our own happiness in the land of liberty.

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Brief Encounter: Huge Cloudy Symbols of a High Romance

“I want to remember every minute, always, always to the end of my days.”

There are very few productions I’ve seen that make me gasp out loud or sit, wide-eyed in childlike wonderment. BRIEF ENCOUNTER is one of these plays. It engages the heart and mind. It’s a vintage love letter and a Vaudevillian magic trick all rolled into one. It’s a step back in time.

BRIEF ENCOUNTER comes to Broadway* with a British pedigree, thanks to director Emma Rice and the Kneehigh Theatre Company of Cornwall, England, who conceived and created the production. The show is an adaptation of the film (of the same name, directed by David Lean) and based on Noel Coward’s short one-act play, “Still Life.” To recap: Noel Cowards short play begets Noel Coward’s movie begets full-length stage production … with music by Noel Coward.

Fun side note: BRIEF ENCOUNTER (the film) was also the inspiration for Billy Wilder’s movie, THE APARTMENT, which became the musical PROMISES, PROMISES, currently in revival on Broadway.

The most endearing quality about this production is its utter uniqueness. You won’t see anything else like this on Broadway. It’s vibrant, beautiful, and smart. There are amazing low-but-feel-high-tech special effects that lend a Michel Gondry/Spike Jonze/Jean-Pierre Jeunet quality to the production, which give it a whimsical, yet cinematic feel. The production’s cast perform duties as special effects artists and musicians, in addition to their parts in the production. No one really has a supporting role in BRIEF ENCOUNTER as each actor is so completely entrenched in their role, and their attention to detail is such that, you feel equally invested in every character’s story. Get swept away in the romance, the fun, and the wonderment. You will not be disappointed in this theatrical love letter.

Stick around after the show because the company continues to charm you with their musical talents and good humor by performing songs (like “Don’t Stop Believing”) in the back of the theatre and dancing with the audience. It’s a convivial setting and an extra treat for the audience.

Make sure to check out Kneehigh Theatre’s website to get a jump on future productions (ed. I’m particularly excited about THE UMBRELLAS OF CHERBOURG and hope it comes to the U.S.)

And, if you are in New York, their next production, an adaptation of THE RED SHOES, will be at St. Ann’s Warehouse this winter. Do. not. miss. it.

*Full disclosure: I originally saw BRIEF ENCOUNTER last winter, when the company brought their stateside tour to St. Ann’s Warehouse in Brooklyn.