Tag Archives: off-broadway

Kickstart Now. Here. This.

As many of you who check in with this blog know, I spent most of the winter and early spring working with some of my favorite people on the Off-Broadway show, Now. Here. This. Though our run at the Vineyard Theatre ended back in April, there remained one big piece of unfinished business: a cast recording.

Well, that all changed today when we launched our Kickstarter campaign to fund the making of the Now. Here. This. original cast recording. Behold.

Larry Pressgrove on the keys

I had many favorite moments and days working on this show, but one of the top ones was our sitzprobe, which is where the cast sings through all of the music for the first time with the live band. It was an incredible experience listening to what Jeff Bowen had been walking around hearing in his head for months. An electric guitar, a mandolin, a drum, an upright bass. That first listening experience felt akin to staring at a Chuck Close canvas at the exact distance where you see the individual depth, color, and dimension of the image and the whole painting at the same time. It excited my senses and made me feel incredibly proud of my friend and his sonic vision. It also made me want to share his music with everyone I know. For now, however, I’m resigned to walking around like pre-sitzprobe Jeff, with the tunes in my head and not out in the world.

Those of you who saw the show know what I’m talking about. But for those of you that didn’t make it to NHT, this recording will offer you the opportunity to hear what you missed, to fall in love with the music, to marvel at talents of some really smart, funny and creative people, and to play the tracks you love wherever you are, letting the bars of music float out onto the street, through your headphones, and in the interior of your car (while you sing along, of course).

Being a part of this show and collaboration was a very special experience for all of us involved in the production, but now we need you to collaborate with us on getting the original cast recording made. Join the adventure and help us bring everyone into the Now. Here. This.

The Now. Here. This. band

Life List: #58

If you check out my life list, you’ll see there’s quite a bit of stuff I have to do. Luckily, thanks to my Under 30 Membership at the Vineyard Theatre, I am on my way to crossing #58 off my list: See every show/lab in an entire season at the Vineyard Theatre. Why the Vineyard Theatre? It’s a place with which I have a 15 year history — more than half of my life. It’s also where I made the decision, at age fourteen, to pursue a career in the arts.

I saw my first off-Broadway show at the Vineyard Theatre in 1996. It was a “silent movie opera” called Bed and Sofa. It wasn’t a typical production, but nor was my route to seeing it. A family friend, who also happened to be my occasional voice teacher, was starring in the show and took me with her to everything related to the production.  I witnessed the labor and birth of a musical, from an in-studio recording of song selections to help secure grant money and solidify the project, to rehearsals, dress rehearsals, a preview night, opening night, and ultimately, the Drama Desk Awards, when the show was nominated.

I was there when the composer, Polly Pen, and librettist Laurence Klavan changed chords, adjusted the way words were pronounced and collaborated with the director, Andre Ernotte, and cast, Terri Klausner, Michael X. Martin and Jason Workman. I saw major artistic changes, such as the elimination of a whole character, the narrator, occur between the rehearsal period and opening night. The set, by G.W. Mercier, appeared to be built right before my eyes.

I learned how people collaborate as artists, how they pick and choose battles over their creative opinions, and how they compromise. I also discovered a lot about life in Moscow in 1926 — more than I’ve ever read in a history book. My days and nights at the Vineyard allowed me to set the compass of my destiny. It solidified my commitment to pursuing a career in the arts. I knew it would be a risky, rocky road, but it made me realized I couldn’t imagine doing anything else with my life.

After my Bed and Sofa experience, I saw a few productions at the Vineyard, sent donations when I could, and purchased memberships, but (due to work) was never able to commit to seeing every single production in one season. However, when I renewed my membership this year and added it to my life list, I felt a new sense of commitment.

I attended the first show of the season, Middletown, last week. The production is in previews and the cast and crew are hard at work fine-tuning it. Before slipping into my seat, I walked down to the lower level by the bathrooms and across from the green room. This picture hangs above the water fountain. It’s of my family friend, in a production she did at the Vineyard before Bed and Sofa. I snapped a picture of it and emailed it to her. I thought of the many lives that were changed in this theatre. Small productions that played extended runs and sold out performances. Shows that went on to play larger, Broadway houses; opportunities that arose from having a place to play, a stage to perform on, and seats to fill. Part of the idea of adding #58 to my list was to cross off a wish, but the other aspect was to pay tribute to a place where my 14-year-old self learned some of the most important life lessons:  follow your dreams; live what you love.

I’ll keep you posted as I see more productions there throughout the season.